Photographer: Thomas Hoepker

Photographer: Thomas Hoepker Photographer: Thomas Hoepker Title: September 11, 2001. New York, Brooklyn Year: 2001 This photo is said to have been taken by Thomas Hoepker on the 11th of September 2001. The photo shows a group of New Yorkers relaxing in the sun in a park with clear blue water behind them and in the background the dust and smoke coming from the area in which the world trade center once stood. In 2001 when this photo was take, Hoepker refused to publish it as it didn’t seem an appropriate image when such a serious disaster had occurred. This image was eventually published in 2006 and caused a lot of controversy as some people felt that the photo portrayed Americans in a way that even though a horrible disaster that has killed thousands of people had happened that there was no need for people to change or reform as an united nation. However others felt that the photo captured a historical moment which shows that regardless of what terror attack or war is going on, life doesn’t stop it goes on. This photo 13 years on from the date of the disaster is one of the defining photographs from 9/11. Image source: http://www.magnumphotos.com/C.aspx?VP3=CMS3VF=MAGO31_10_VFormERID=24KL5351FG Photographer: Eve Arnold Title: Childbirth, a babys first 5 minutes Year: 1959 From The Series: First five minutes of a babys life The subject of the photograph is a baby who has just been brought into the world and captures the first 5 minutes of the baby’s life. The image manipulates our emotions by drawing us to the subject through the use of an extended depth of field. The rule of thirds applies to this photo with the mother in the bottom of the image with the baby in the centre and the doctor who has delivered the baby at the top of the image. There is an intense light behind the doctor, which gives a sense of an angelic / holy person; this makes you think that the baby is a gift from a higher presence. When Eve Arnold decided she wanted to become a photographer, she showed her mother some of her photographs, which happened to be photos that documented the first five minutes of a baby’s life. Her mother never seen the potential of her daughter’s photographs even though her work led to numerous awards, first female member of Magnum and respect from peers and fellow photographers but despite this, she wanted approval from her parents. She did eventually get approval from her mother but it did not come easily. At the time this photograph was taken, the Nikon F camera, Nikon’s first SLR was introduced. This was one of the most advanced cameras that contained all of the concepts that had previously been introduced but combined them all in one camera. AGFA also introduced the first fully automatic camera. Image Source: https://www.magnumphotos.com/C.aspx?VP3=SearchResultSTID=2S5RYDIET7XL Photographer: W. Eugene Smith Title: Dr. Ernest Guy Ceriani going to visit patients Year: 1948 From the Series: Country Doctor This portrait shows a country doctor, Dr. Ernest Guy Ceriani (aged 32), going to visit his patients in their remote villages. The ‘Country Doctor’ series was W. Eugene Smith’s 1948 feature for LIFE magazine. He spent 23 days in Kremmling, Colorado following GP Ernest Ceriani. His images capture the emotional and physical challenges faced by the doctor and also the reality. This portrait is very dramatic as the image is in black and white and is intensified by the large dark cloud that is above the doctor. The black cloud could suggest the doctor may be on his way to deliver bad news to a patient but captures him in a natural way. The doctor is in the centre of the image with the focus being mainly on him but the fence to the right of the image is a bit distracting. The viewer is instantly drawn to the subject due to his dominance in the frame. Image source: http://www.magnumphotos.com/C.aspx?VP3=SearchResultALID=2TYRYDDWML5P Photographer: Marilyn Silverstone Title: Mask room at the Pemayangtse Monastery Year: 1967 Marilyn Rita Silverstonewas an accomplished photo-journalist and ordainedBuddhistnun. She spent a lot of time travelling around Europe, Middle East Africa and ended up having a lifetime love of India. This photo makes me feel a bit weary because of the amount of masks hanging, the bizarre appearance of the masks and also the way in which Silverstone has shot the photo. The masks are in the darkness and the two young boys in the lower corner are In the light, this creates a feeling off demons in the shadows. The ferocious masks are a preview of the visions of the after-death state, presented so that the viewer may recognise them in future as reflections of ones own mind† The expressions on the young boys’ faces suggest that the boys aren’t sure of the masks and may be scared of them. Image Source: http://www.magnumphotos.com/C.aspx?VP3=CMS3VF=MAGO31_10_VFormERID=24KL535FI3 Photographer: Bill Brandt Title: Nude, Hampstead, London Year: 1952 This is a photo of a person’s feet taken whilst facing the soles of the feet. The person would appear to be lying on the floor of an empty room with two doors in the background The picture has been printed with high contrast and the tonal values of the image play an important part. A wide angle has been used, which has caused an unusual perspective in the picture. The feet take up a large part of the frame and appear to almost touch the celling. A dramatic look has been created by using a wide angle lens and the use of light adds a variety of attractive tones on the subject. The empty room gives a sense of being alone. Brandt is considered one of the 20th century ’s greatest British photographers. He originally had a very documentary approach to his work and this changed over time to focusing on the nude form and making images appear more poetic. Image source: http://chloe328.files.wordpress.com/2011/01/bill-brandt-feet.jpg Photographer: Annie Leibovitz Title: A portrait of the Queen Year: 2007 This photo is a beautiful portrait of Queen Elizabeth II seated in an unlit room in Buckingham Palace. The natural light coming through the window creates Rembrandt lighting and Leibovitz has balanced the exposure from the outside with the available light within the room. The light casts a wonderful silvery light on her white dress and fur creating a fairy-tale regality. The placing of the Queen makes the photo more aesthetically pleasing on the eye. The queen has her crown on in this photo which shows power but at the same time the use of space shows a sense of loneliness. Image source: http://image.guardian.co.uk/sys-images/Arts/Arts_/Pictures/2007/05/02/leibovitz460.jpg Photographer: Daido Moriyama Title: Stray dog, Misawa Year: 1971 Moriyama almost always shoots in black and white with very high contrast. He uses a technique he calls are-bure-bokeh which basically means rough, blurry and out of focus. Instead of using a large single reflex camera, Moriyama prefers to use a small compact camera which allows him to be more spontaneous. He was influenced by his friend Yukio Mishima to add existential darkness to his subjects. This picture shows a stray dog which fills the frame. The dog is black against a white background with some white highlights where the light touches the dogs ear, side and back leg. Moriyama has taken this photo from behind the dog and to the left Image Source: http://www.worldphoto.org/_assets/images/DaidoMoriyama_Misawa.jpg Photographer: Olivia Arthur Title: Shopping at a mall in Jeddah Year: 2010 Olivia Arthur is a uk photographer who began working as a photographer in 2003. She has been working on a series about women and the East-West cultural divide. This work has taken her to the border between Europe and Asia, Iran and Saudi Arabia. This photograph shows a female dressed in a black abaya facing a male dressed in jeans and a white t-shirt who is handing her some cosmetics. All shop keepers are males in Saudi Arabia. You can see the difference between the sexes in Saudi Arabia, females must wear an abaya if they go out which shows only their hands and eyes unlike men who can wear what they want. The female is the main focus in this image, they tall black figure catches the viewers attention instantly and without her the photo wouldn’t tell a story. Image source: http://www.magnumphotos.com/C.aspx?VP3=CMS3VF=MAGO31_10_VFormERID=24KL535OLY Photographer: Richard Mosse Title: Come Out (1966) Year: 2011 Richard Mosse is a photographer who is more documentary than photo-journalistic. He has spent time in areas of conflict including the Congo which is the subject of his Infra series. Mosse has used Kodak aerochrome film which is an infrared sensitive film normally used to survey vegetation and camouflage detection. By using this, the vegetation in the photos appear pink adding interesting elements to the photos. This is a photograph of a small grass hut surrounded by a pink hue of palm trees and other foliage. The hut is at the bottom of the photo and centered. Behind the pink trees there is a grey misty sky. Image Source: http://www.richardmosse.com/works/infra/ Photographer: Gueorgui Pinkhassov Title: Cock of the walk Year: 1992 Gueorgui Pinkhassov was originally a set photographer but after meeting Tarkovsky he changed direction and became a photo-journalist as Tarkovsky had advised him that Russia was a a closed society, but that things would change soon and that photojournalists were needed. Pinkhassov used Kodachrome 200 ASA film which produced high contrast photos and reproduces reds very well which helped make the cockerel stand out from the dark shadows. He has said that he never considered the composition of the image as he had a very tight timeframe to capture the cockerel poking its head out. The background is other cockerels and people hidden in the shadows reducing any unwanted details. Image Source: http://www.magnumphotos.com/C.aspx?VP3=CMS3VF=MAGO31_10_VFormERID=24KL53ZVNE Photographer: Moises Saman Title: Marjas new district chief meets with local elders in Marjas district center. Year: 2010 Moises Saman is a photojournalist who regularly works in some of the most conflicted places in the world. This image shows a group of older men sitting on the floor whilst a man reads a document on a table. The men’s faces appear sad and show uncertainty towards the younger man who would appear to be the new district chief. The photo could have been taken at any point in time if it wasn’t for the photo of the country’s president. Saman has said this photo was to shows that Leaders come and go but it’s the local people who suffer. Image source: http://mediastore4.magnumphotos.com/CoreXDoc/MAG/Media/TR2/c/2/7/4/NYC105993.jpg Photographer: Hugh Hood Series Title: Glasgow 1974 Year: 2013 This is a photograph featured in Hugh Hood’s Glasgow 1974 exhibition at Street Level Photoworks in Glasgow. The exhibition features photographs of the streets of Glasgow from 1974 to 1978, during this time Glasgow’s social and architectural history was changing, half the tenements were being pulled down and the other half were being renovated or built. This photograph shows an old abandoned tenement building which would have been demolished. The side of the building is bare and the windows throughout the tenement are smashed. This image shows Glasgow in a past that older generations will remember and that younger generations can look at and get an understanding of how Glasgow was and how it has moved forward but also how communities and society have changed. Image Source: http://www.streetlevelphotoworks.org/product/hugh-hood-unttitled-3-glasgow-1974 Photographer: Constantine Manos Title: Ku Klux Klan rally Year: 1952 Constantine Manos was a student at the University of South Carolina which was a segregated university. He wrote the first anti-segregated editorial in the university newspaper, this caused the university and Manos to receive threating phone calls. He used to sneak out to the cotton fields at night and see the Ku Klux Klan. This image of the men is quite daunting with the background black this gives a dark feeling to the image and it also makes the man in white stand out. Staring at this image can make one feel uneasy because the figure in white has his face covered. What makes it so terrifying is that the man could be anyone a friend ,family or someone close. The composition of the mans body is relaxed but even though his face is covered you can see within his eyes that it’s a serious and angry look that he has. The Ku Klux Klan member’s robe has a cross within a circle that contains a blood drop in the middle which is believed to represent the blood that was shed by Jesus Christ as a sacrifice. After the American civil war, the Ku Klux Klan was formed, they were a secret society that wanted white supremacy and to do this they terrorized and intimidated people Image Source: http://www.magnumphotos.com/C.aspx?VP3=CMS3VF=MAGO31_10_VFormERID=24KL53ZOQY Photographer: William Eggleston Title: Untitled Year: 1695-1968 This is a picture of a woman sitting at a green diner booth. The photo is taken from behind and shows the woman’s greying hair that has been wrapped into a perfect beehive with no loose strands. The bobby pins used to hold her beehive hairstyle in place simulate a continuation of her spine. The male sitting opposite her is obstructed completely from the lens with only his arms visible. Eggleston’s consistently controlled gaze focuses on the attention to detail in the way the woman has styled her hair. Eggleston’s personal documentary style is recognized worldwide along with him being the pioneer of colour photography. Since first picking up a camera over fifty years ago, Eggleston’s work is said to find ‘beauty in the everyday’. He captures the ordinary world around him and creates interest by using sharp observation, dynamic composition and great wit. Image source: http://arttattler.com/Images/NorthAmerica/NewYork/Whitney/William Eggleston/02.-eggleston_untitled1965beehive.jpg Photographer: Diane Arbus Title: Patriotic Young Man with a Flag Year: 1967 Diane Arbus was known as a ‘photographer of freaks’ as she preferred to photograph the normal within an abnormal society. She photographed dwarfs, nudists, circus performers and transgender people amongst other subjects. Arbus had a talent for being able to relate to people which can be seen in her photos as her subjects appear to be at ease and comfortable during the experience. Arbus felt that if it wasn’t for her no one would see the true aspects of her unusual subjects. Arbus’s photo shows a young man who is proud to be an American citizen but he doesn’t look like the kind of person a photographer would use to show this. The young man is in formal wear with his badge on his jacket and flag in his hand but has scruffy hair, bad acne on his face and a shirt with an undone collar. The light used in this photo is quite harsh and makes him look as though he has had a hard life. When Arbus first started, she was using a 35 mm Nikon camera which produced grainy rectangular images, she swapped to a twin-lens reflex Rolleiflex camera which produced more detailed square images Image source: http://diane-arbus-photography.com/

Ticket To…Tadcaster

The textual topic I chose was documentary; I made a documentary about a local band called the tickets which was made to target people who are interested in MOD music and the MOD scene, I feel this as been achieved because I have shown my documentary to people who fit this criteria and they commended it as an accurate view of scooter rallies are were interested in the band and seeing them again. As the documentary was aimed at a specific audience, the main ideology had to be linked to the ideology of the target audience (MOD). This ideology is the lifestyle that comes with the music and the accomplishment watching a band ultimately succeed in this style of playing. However my documentary was shot to make the progression from practise to gigging look like a struggle; this was done by mediating the footage. But I think that people watching will feel empathy towards the band, willing for them to succeed, as most people, not just MODS, like to see an underdog come out on top this gives a wider audience for my documentary. Therefore I believe I made the right decision showing my documentary on channel four in the T4 slot on a Sunday morning. As the demographic audience is aged 16-30 and can relate to the band as they are the same ages. I have chosen a televised viewing rather than a cinema viewing for the simple reason that they are more popular judging by the regular scheduling of documentaries and higher viewing figures. I have used diegetic dialogue from the band in the argument sequences in conjunction with non diegetic narration from me to convey an informative style; this narration is a way of directly communicating with the audience to keep them posted of what was going on visually at the time, as most shots were in the same setting. My camera angle during the practise and argument scenes could have been made better by using different angles and editing them all together, instead most of the time you can't see one member of the band even when they are speaking. I used an hand held video camera to shoot the documentary this makes the quality of my documentary poor as at times the camera is quite jerky which diverts the attention from what is happening on screen. If I were to make the documentary again I would use a tripod to keep the camera still. The footage of the band in the small practise room to a huge room full of people represents what I wanted to show in how far they have come to play a successful gig. The clean cut look of the band and also the mise-en-scene of the room they are playing in connotates the look and attitude of MODS which is to be dressed smart and have a no nonsense attitude. Any footage that didn't represent this I edited out. I wanted to make my documentary a form of docu- soap. Recent docu-soaps such as Airport show the same struggle and resolution as mine does. I wanted to make the characters personalities strong and make them fully aware of the camera, to the extent that they â€Å"play up to it†. The audience identification with, and response to, characters is strong just like that of televised docu- soaps. In my opinion the only element in my documentary not consistent to that of a real docu- soap is that there isn't a multitude of characters with different stories all interwoven, this would have been difficult to do as the point of my documentary was to show one story from a certain group of people. At the end of my documentary it fades out with a still frame of the bands faces smiling with a song played over the top this makes people want to know what will happen to the band after they had pulled off such a big gig, I wanted people to ask questions like Will they do any more? What will happen to them now? After talking to people who had watched it these questions were asked. I decided to show fans smiling at the end of my documentary as this shows the enjoyment they've got from watching the band with the song that the band have played â€Å"Can't explain† with lyrics saying â€Å"got a feeling inside can't explain† I believe it fits with the images on screen and will hopefully make the audience smile too. My documentary follows the story of a bands run up to a big gig in a nearly chronological sequence, at the beginning it shows them playing the gig then it flashes back to practicing from then on it is perfectly chronological, I don't think I should have done this as straight away you know that the band make it to the gig and are doing well. I should have maybe showed them doing a smaller gig and made the point of how big the next gig was and the huge jump they had to undertake. I believe I made characters that engage and interest the audience as they are all big personalities that have presence on screen. Also I had a non- character narrator who acts as the storyteller and providing links between the sequences. Although not shown in the documentary I would have liked to have created the documentary under the name Talkback TV as the programs they have made suit the target audience such as musical programs such as Never Mind The Buzzcocks and Bo Selecta, both programs are primarily watched by 16-30 year olds. Also Talkback TV has made a string of documentaries for channel 4 on which my documentary would be shown; they make documentaries that are catered for minority interests and tastes as instructed to do so by law as they have a Public Service charter, as such this documentary about a local band would fit the criteria. Using this institution would also ensure the money needed to professionally film and edit, a large budget isn't needed as big name stars are non existent and not needed in a documentary. The bands ideology is the same ass that of the audience, have a laugh and enjoying themselves whilst still maintaining quality and seriousness but most of all doing it for themselves. The bands ideology fits in well with the ideology of channel 4; the channel on which the documentary would feature. The Public Service charter means that the documentary would be shown to people of minority interests, such as that of a MOD. More specifically the programme would be best scheduled during the T4 slot on a Sunday morning as to target the audience more specifically. With the reputation of music channels such as MTV rising bands are becoming more popular and so in turn documentaries such as â€Å"Making the Band† are too spurring more people on to create their own band. My documentary was made to inspire people of the same age of the band showing the audience the highs and the lows and what was needed to create their own band aspiring to be like The Tickets; this I believe is a new trend within teenage boys and my documentary meets this trend.

Learning and Teaching Mandarin

Censorship And Its Effects On The World - 1393 Words

The right to speak freely is the capacity through which an individual has the privilege to voice his/her thoughts to other individuals who are ready to get them. Each person in Canada has the privilege to impart in whatever way he needs through diverse mediums. It could be through books, interpersonal interaction destinations, individual websites, daily papers and so forth. Free discourse today has prompted a great deal reactions as distinctive individuals may state diverse assessments which could likewise hurt a particular group and subsequently oversight of such material began. Oversight has assumed an essential part in the advanced time with the climbing innovation on the grounds that there is so much data that is accessible at the hit†¦show more content†¦Numerous clients on YouTube have been posting free and full length films which has been influencing the genuine gaining of the motion pictures and additionally the copyrights issue emerges. Accordingly, YouTube erases t hat specific substance as it is denied for YouTube clients to do as such. In the digital world, there are such a large number of individual sites and a great many sites with huge amounts of data accessible. Remarks made by diverse people can never again be secured in light of the fact that such a variety of individuals around the globe today utilize the web for different reasons. Both the two cases, Burbage v. Burbage and Kinney v. Barnes and the Yelp case have been instances of slander. Roast Burbage wrongly charged his sibling Kirk for senior misuse so as to pick up control of all the family riches. Kinney posted false articulations against Barnes of paying off a law office to contract one of its competitors. Such false remarks has arrived them both in court and lasting order has been forced which implies that the court has provided for them a last request to abstain making such remarks once more. The web has radically reshaped the way we manage regular life today and a demonstration of criticism in the web world is a typical thing. Slander against an al ternate individual is ensured by the administration while if there were a foul remarks against an open figure, they